In her three-screen portrait of photographer Helga Paris, Misselwitz explores how life and artistic practice form a whole. Paris belongs to the most important photographers of the GDR. She is a friend and collaborator of Misselwitz having worked as a set photographer on “Herzsprung“ and an actress in “Little Angel“. Their overlapping interests in existences on the run, daily life and realities beyond the official narration are always directed at people. In this case, Paris herself.